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Meet Indie Filmmaker: SÆKZI

Article by Anna Takayama 

 

SÆKZI, a recent submission to the ÉCU 2010 Dramatic Short category, is an honest story of a woman’s battle with her lack of self-confidence through the eyes of her devoted lover. Director Lars T. Moen gives interviewer Anna Takayama his views on women, beauty, ideals, and love in modern times.

 

Q: What is your film about?

Sækzi is a film about self-confidence, and how it shouldn’t matter what you look like. The film portrays a female character, Tine, and is presented through the eyes of her boyfriend, Martin.

Q: Where is the location of your film?

We shot on various locations around the city of Oslo, Norway.

Q: How did you come up with your story?

This was my first attempt at writing something truly personal as a screenplay. I’ve been on both sides of the relationship portrayed in the film–as the one insecure in need of comfort, and also as the confident, comforting boyfriend.

Q: How much of the narrative is the way you actually feel about “beauty”?

I can’t deny that first impressions come from exterior appearance, but personality goes a long way. I couldn’t stand being in a relationship with someone I couldn’t relate to, talk to, laugh with, and share things with. It’s a cliché that beauty comes from within, but clichés are clichés because they’re tried and true.

Q: Tell us a little about the casting process.

Martin, the male character and the one who tells Tine’s story was the easiest role to cast. Mattis (who plays Martin) had a part in another short film from the same producer, and I cast him based on his performance in that film. Casting Tine was a much longer process… It’s easier when casting amateur actors, to find someone who already fits the profile of the part, rather than forcing them to “act”… Marie (who plays Tine in the film) was so close to what I had pictured Tine to be like that there was no doubt in my mind… It takes a lot of guts and a lot of faith in the director, to waltz straight into a sex scene without anything but my word that I won’t take advantage of it.

Q: How do you feel about the way women are portrayed in the media today?

Different medias portray women in different ways. But in terms of fashion, advertising, and general ideals, it’s worse than ever. I feel sorry for girls who starve themselves to death to look like the poster girls they look up to. It’s not pretty, and it’s not healthy. We live in a time when children are raised to be shallow.

Q: Do you think there is a way to overcome overly idealistic expectations of women?

The advertising industry (and the motion picture industry, for that matter) will always advocate exterior beauty as an ideal, because it’s the only thing that sells their product… I think one misconception about ideals is that women think men have overly idealistic expectations of women. But I think first and foremost, women have even higher expectations of themselves and what it means to be a woman… There is an increasing number of anorexic boys in the world, and the expectations of men have also reached a point where it makes a lot of men feel inadequate, in the same way Tine does.

Q: Tell about your next project.

I’m currently collaborating with a screenwriter on a feature film screenplay, working title: “793 Arizona”. It’s a teen drama about “going your own way” and finding out where you belong among your friends, [even] if you belong with them.

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About ECU

Hillier Scott
(ECU)

Scott Hillier, Festival President and Founder 

Scott Hillier is a Director / Cinematographer / Screenwriter based in Paris. During his 20 years in the television and film industries, Scott has gained international recognition from his strong cinematography, editing, writing, producing and directing portfolio.

Scott started in the television industry in Australia before moving to London in 1988 where he managed to get a job working in Baghdad for the BBC, which led him into spending 10 years traveling the world for the BBC, mainly in war zones like Somalia, Bosnia, Tchetcheynia, Kashmir and Lebanon. After a near fatal encounter with a Russian bomber in Tchechnyia, Scott gave up wars and wrote and directed “Behind the Eyes of War!” which was awarded “Best Short Dramatic Film” at the New York Independent Film and TV festival in 1999.

Moving to New York City in 1998, Scott directed and photographed eight one-hour documentaries for National Geographic / The Discovery Channel and also served as Director of Photography on the documentary “Twin Towers” which won the Academy Award for Best Documentary Short Subject 2003. The diverse creative areas that he has worked in include documentaries, music videos, commercials, feature and short films. He served as Supervising Producer / Director for the critically acclaimed CBS 42 part reality series “The Bravest” in 2002 and wrote and directed the stage play “Deadman’s Mai l” which ran at Le Théâtre du Moulin de la Galette in Paris during the summer of 2004. In 2004 Scott spent 3 months in Ethiopia producing a “Worlds Apart” pilot for ABC America / True Entertainment / Endemol.

Scott studied film at New York University and The London Film and Television school as well as literary non-fiction writing at Columbia University. His regular clients include BBC, Microsoft, ABC, PBS and National Geographic. Between filming assignments, he taught film (a Masters Degree in Screenwriting at the Eicar International Film School in Paris) and journalism (Formation des Journalistes Français in Paris).

 


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